Hi! I'm Paula.
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some-awesome-society:

Emoji-nation. part 2.
by Nastya Ptichek.
Dedicated to Edward Hopper.
Check out part 1 here
some-awesome-society:

Emoji-nation. part 2.
by Nastya Ptichek.
Dedicated to Edward Hopper.
Check out part 1 here
some-awesome-society:

Emoji-nation. part 2.
by Nastya Ptichek.
Dedicated to Edward Hopper.
Check out part 1 here
some-awesome-society:

Emoji-nation. part 2.
by Nastya Ptichek.
Dedicated to Edward Hopper.
Check out part 1 here
some-awesome-society:

Emoji-nation. part 2.
by Nastya Ptichek.
Dedicated to Edward Hopper.
Check out part 1 here
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This is a hotel with only one room, but what a room! Located on top of a small café in the Vesterbro neighbourhood, the double room of Central Hotel has a unique interior design with beautiful handcrafted details that will make even the pickiest boutique hotel aficionado feel right at home.
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Mother-of-pearl clutch by Serpui Marie X Broken Mirror/Evening Sky by Bing Wright 
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Matsumoto city
MRSY
Manhole covers
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hifas:

Como imprimir sombras (How to print shadows)Waltercio Caldas
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artchipel:

Mark Wagner (b.1976, USA)
Mark Wagner was born quietly in the rural Midwest at the tail end of thirteen children. Since leaving the sandbox at the age of fourteen, he has continued his creative career in the fields of writing, collage, and bookmaking. His creative production includes work in many media: from writing and artist bookmaking to drawing, collage, and assemblage. In whatever media employed he has a tendency toward meticulous production and solid graphic presentation. Usually fantastical, occasional surreal, and often interdisciplinary - Wagner is satisfied only when concept and craft meet on equally firm footing.
The one dollar bill is the most ubiquitous piece of paper in America. Collage asks the question: what might be done to make it something else? It is a ripe material: intaglio printed on sturdy linen stock, covered in decorative filigree, and steeped in symbolism and concept. Blade and glue transform it-reproducing the effects of tapestries, paints, engravings, mosaics, and computers—striving for something bizarre, beautiful, or unbelievable… the foreign in the familiar.
Wagner’s work is collected by dozens of reknonw institutions.
[more Mark Wagner | artist found at exhibition-ism]
artchipel:

Mark Wagner (b.1976, USA)
Mark Wagner was born quietly in the rural Midwest at the tail end of thirteen children. Since leaving the sandbox at the age of fourteen, he has continued his creative career in the fields of writing, collage, and bookmaking. His creative production includes work in many media: from writing and artist bookmaking to drawing, collage, and assemblage. In whatever media employed he has a tendency toward meticulous production and solid graphic presentation. Usually fantastical, occasional surreal, and often interdisciplinary - Wagner is satisfied only when concept and craft meet on equally firm footing.
The one dollar bill is the most ubiquitous piece of paper in America. Collage asks the question: what might be done to make it something else? It is a ripe material: intaglio printed on sturdy linen stock, covered in decorative filigree, and steeped in symbolism and concept. Blade and glue transform it-reproducing the effects of tapestries, paints, engravings, mosaics, and computers—striving for something bizarre, beautiful, or unbelievable… the foreign in the familiar.
Wagner’s work is collected by dozens of reknonw institutions.
[more Mark Wagner | artist found at exhibition-ism]
artchipel:

Mark Wagner (b.1976, USA)
Mark Wagner was born quietly in the rural Midwest at the tail end of thirteen children. Since leaving the sandbox at the age of fourteen, he has continued his creative career in the fields of writing, collage, and bookmaking. His creative production includes work in many media: from writing and artist bookmaking to drawing, collage, and assemblage. In whatever media employed he has a tendency toward meticulous production and solid graphic presentation. Usually fantastical, occasional surreal, and often interdisciplinary - Wagner is satisfied only when concept and craft meet on equally firm footing.
The one dollar bill is the most ubiquitous piece of paper in America. Collage asks the question: what might be done to make it something else? It is a ripe material: intaglio printed on sturdy linen stock, covered in decorative filigree, and steeped in symbolism and concept. Blade and glue transform it-reproducing the effects of tapestries, paints, engravings, mosaics, and computers—striving for something bizarre, beautiful, or unbelievable… the foreign in the familiar.
Wagner’s work is collected by dozens of reknonw institutions.
[more Mark Wagner | artist found at exhibition-ism]
artchipel:

Mark Wagner (b.1976, USA)
Mark Wagner was born quietly in the rural Midwest at the tail end of thirteen children. Since leaving the sandbox at the age of fourteen, he has continued his creative career in the fields of writing, collage, and bookmaking. His creative production includes work in many media: from writing and artist bookmaking to drawing, collage, and assemblage. In whatever media employed he has a tendency toward meticulous production and solid graphic presentation. Usually fantastical, occasional surreal, and often interdisciplinary - Wagner is satisfied only when concept and craft meet on equally firm footing.
The one dollar bill is the most ubiquitous piece of paper in America. Collage asks the question: what might be done to make it something else? It is a ripe material: intaglio printed on sturdy linen stock, covered in decorative filigree, and steeped in symbolism and concept. Blade and glue transform it-reproducing the effects of tapestries, paints, engravings, mosaics, and computers—striving for something bizarre, beautiful, or unbelievable… the foreign in the familiar.
Wagner’s work is collected by dozens of reknonw institutions.
[more Mark Wagner | artist found at exhibition-ism]
artchipel:

Mark Wagner (b.1976, USA)
Mark Wagner was born quietly in the rural Midwest at the tail end of thirteen children. Since leaving the sandbox at the age of fourteen, he has continued his creative career in the fields of writing, collage, and bookmaking. His creative production includes work in many media: from writing and artist bookmaking to drawing, collage, and assemblage. In whatever media employed he has a tendency toward meticulous production and solid graphic presentation. Usually fantastical, occasional surreal, and often interdisciplinary - Wagner is satisfied only when concept and craft meet on equally firm footing.
The one dollar bill is the most ubiquitous piece of paper in America. Collage asks the question: what might be done to make it something else? It is a ripe material: intaglio printed on sturdy linen stock, covered in decorative filigree, and steeped in symbolism and concept. Blade and glue transform it-reproducing the effects of tapestries, paints, engravings, mosaics, and computers—striving for something bizarre, beautiful, or unbelievable… the foreign in the familiar.
Wagner’s work is collected by dozens of reknonw institutions.
[more Mark Wagner | artist found at exhibition-ism]
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tedx:

The beautiful, sad, shifting state of wild ice: Geomorphologist / photographer James Balog travels the globe to capture the twisting, soaring forms of the world’s vanishing wild ice. In 2009, he wowed the TEDGlobal crowd with his time-lapse photos of the shifting landscapes of the world’s icy habitats.
Above, some striking footage from his project Extreme Ice Survey.
Watch the whole talk here»
tedx:

The beautiful, sad, shifting state of wild ice: Geomorphologist / photographer James Balog travels the globe to capture the twisting, soaring forms of the world’s vanishing wild ice. In 2009, he wowed the TEDGlobal crowd with his time-lapse photos of the shifting landscapes of the world’s icy habitats.
Above, some striking footage from his project Extreme Ice Survey.
Watch the whole talk here»
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artchipel:

Matthieu Bourel | The Singing canary on Tumblr - Overview / Transfert (2013)